On 15 July 1933 Kandos Talkies would treat you to a double-bill, Beauty and the Boss, a “radiant romance, spicy and snappy – She had ‘IT’ but she hid it”; and “a sparkling satire Once in a Lifetime which reveals what goes on in the private offices of Hollywood film studios”!
As early as February 1920 the cement workers were agitating for a pay increase. The trouble was, the area was in severe drought, the company dams were empty and the company was importing 40,000 gallons of water by train daily.
That was Meg’s secret, like many women at that time. Keeping it secret enabled her to gain employment and a husband.
They were absentee landowners, colonial gentry, fraternising with their peers, making deals, raising capital and writing letters to public officials and newspapers. They paid an overseer to manage their holding.
I ask myself: why did my Aunt Meg, an openhearted, gregarious woman, who set me on the path of family history, and recorded so much of it, not tell me about my Aboriginal connections?